Presonus Studiolive 64S
$4,999.95
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The StudioLive® 64S is a 64-channel mixer that brings the power of a large-format console to small-format digital mixing. Powered by the quad-core PreSonus® FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors, including 8 stereo reverberation systems, and with Fat Channel plug-in models on every input channel and mix bus. With 128 (64×64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that’s in a class of its own.
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Computer system requirements:
Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.
Mac®
- macOS® 10.13 or higher (64-bit only)
- Intel® Core™ i3 or better (M1 native compatible)
- Minimum 4 GB RAM (8 GB or more recommended)
Windows®
- Windows 10 (64-bit only)
- Intel Core i3 or better
- Minimum 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366×768 resolution
iPadOS®
- iPadOS 10 or later
- iPad® Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android™
- Android 6.0 (Marshmallow) or later
- Android smartphone (QMix-UC)
- Android tablet (8-inch) with 1024×768 resolution (UC Surface)
Note: The minimum system requirements may be different for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that this is the speed of your processor, the amount of RAM and the size of your harddrive will increase the overall performance of your recording system. So, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience.
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
Technical Specifications
Mi crophone Preamplifier |
|
|---|---|
| Input Type | XLR Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 1 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
| Gain Control Range (±1 dB) | 0 dB to +60 dB |
| Maximum Input Level (unity gain) | +12 dBu |
| Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Maximum Input Level | +18 dBu |
Tape Inputs |
|
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +12 dBu, ±0.5 dBu |
XLR Outputs |
|
|---|---|
| Type | XLR Male, balanced |
| Maximum Output Level | +24 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Line Outputs |
|
|---|---|
| Type | ¼” TRS Female, balanced |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Tape Outputs |
|
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Headphone Output |
|
|---|---|
| Type | ¼” TRS Female, active stereo |
| Maximum Output | 100 mW/ch. @ 60Ω load |
| Frequency Response | 20 Hz – 20 kHz (± 0.5 dB) |
| THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
| S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
|
|---|---|
| Input to Output | -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Adjacent Channels | -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control |
|
|---|---|
| ADC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| DAC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| USB Recording Port | USB 2.0, Type-B |
| Bluetooth™ Input | 4.1, stereo |
| AES/EBU Output | XLR Male |
| Network Control Port | RJ-45 |
| AVB Audio Network Port | Locking XLR Ethernet |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 48 kHz, 44.1 kHz |
| A/D/A Bit Depth | 24 |
| Reference Level for 0 dBFS | +18 dBu |
| Total System Latency | 1.9 ms (local routing, analog in-analog out, all processing active) |
Clock |
|
|---|---|
| Jitter | <20 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
Power / Environmental |
|
|---|---|
| Connector | IEC |
| Input-Voltage Range | 90 to 230 VAC (±10%) |
| Power Requirements (continuous) | 85W |
| Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
|---|---|
| Height | 6.51” (165.36 mm) |
| Width | 32.37” (822.21 mm) |
| Depth | 22.97” (583.48 mm) |
| Weight | 37.2 lbs. (16.9 kg) |
The scalable digital mixer.
The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.
The best digital mixer for recording—with or without a computer.
PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.
Superior sound.
We built our reputation designing great-sounding analog circuits for critical studio-recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.
Features
- Powered by the new quad-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
- 76 input-channel digital mixer with 33 touch-sensitive motorized faders
- 64 channels (individually sourced from any of the 32 local digitally controlled XMAX mic/line inputs or any AVB, USB, or SD input)
- 2 balanced stereo aux inputs
- 1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB or SD)
- 8 FLEX FX returns
- 1 Talkback
- 43 mix buses
- 32 FlexMixes (Aux, Subgroup, Matrix)
- 8 dedicated FLEX FX buses
- Stereo Main bus
- Main Mono/Center bus with per-channel level send and Center Divergence
- 526 simultaneous processors
- HPF
- Gate/Expander
- Compressor with Fat Channel plug-in models
- 4-band/6-band parametric EQ with Fat Channel plug-in models
- Limiter
- 31-band graphic EQ
- 8 FLEX FX slots featuring legendary classic reverb emulations and delays
- State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
- FLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
- 24 DCAs to control groups of channels
- 128-channel (64x64) recording over USB
- Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode
- AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
- User Profiles for managing multiple operators with custom permissions
- Per channel digital patching from any analog, AVB, USB, or SD Card source
- DAW Control
- Advanced Studio One® control integration
- MCU emulation mode optimized for Logic
- HUI emulation mode optimized for Pro Tools
- Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
- Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
- Capture® multitrack software included
- Automated Virtual Soundcheck
- Store StudioLive® mix scenes with your audio
- Advanced Studio One integration (Studio One Artist Included)
- XMAX mic preamp control from Studio One
- Control Fat Channel parameters from Studio One mixing console
